Review | Critique

ARTICLES

The Times They Are a-Changin’
celebrates the 60s

Segal Centre presents a wonderful compilation of key songs from a turbulent decade. By Byron Toben

Small Mouth Sounds: less is
more with non-verbal theatre

The Canadian debut of the award-winning play at the Segal Centre studio. By Byron Toben

Segal Centre presents a take
on political polarization

The Assembly expands Porte Parole’s role in documentary theatre. By Byron Toben

Kenny Streule on being
“Malunderstood”

An unusual, engaging one-man show now playing at the Mainline Theatre. By Faith Langston

Hot jazz takes the chill out of winter

Grammy winner Jennifer Gasoi and accomplished pianist Chad Linsley at the Cummings Centre. By Mary-Ann Lacey

A showcase for emerging
contemporary dancers

Bouge d’ici puts together another innovative program with Common Space. By Faith Langston

Don’t Read the Comments
makes you laugh and think

The Centaur Theatre Wildside Festival offering examines the spectrum of consent. By Julia Ainsworth

Wildside Festival 2020: Multiple Organism and Tomorrow

Centaur’s audacious annual festival of cutting edge indie theatre opens with two daring works. By Julia Ainsworth

Westmount Magazine
looks back at 2019

A sampling of our most-read articles of the past year

Young playwright/performers
featured in Double Bill

BTW and PWM combine forces in Dark Red and Cry Baby. By Byron Toben

Four birdy delights
from Dramatis Personae

The Westmount amateur theatre group presents Fowl Plays. By Byron Toben

It’s a Wonderful Life
comes to the stage

Geordie presents a wonderful stage adaptation of the Capra film. By Byron Toben
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