Stratford Theatre presents a virtual version of the Bard’s play. By Byron Toben
Review | Critique
ArticlesEnglish version of French Canada hit play
La meute comes to the Centaur. By Byron Toben
Segal Centre presents a wonderful compilation of
key songs from a turbulent decade. By Byron Toben
The Canadian debut of the award-winning play
at the Segal Centre studio. By Byron Toben
The Assembly expands Porte Parole’s role
in documentary theatre. By Byron Toben
An unusual, engaging one-man show now playing
at the Mainline Theatre. By Faith Langston
Grammy winner Jennifer Gasoi and accomplished pianist Chad Linsley at the Cummings Centre. By Mary-Ann Lacey
Bouge d’ici puts together another innovative program
with Common Space. By Faith Langston
The Centaur Theatre Wildside Festival offering examines
the spectrum of consent. By Julia Ainsworth
Centaur’s audacious annual festival of cutting edge indie theatre opens with two daring works. By Julia Ainsworth
A sampling of our most-read articles
of the past year
BTW and PWM combine forces in
Dark Red and Cry Baby. By Byron Toben
birthdate with King Lear"/>
celebrates the 60s"/>
more with non-verbal theatre"/>
on political polarization"/>
“Malunderstood”"/>
contemporary dancers"/>
makes you laugh and think"/>
looks back at 2019"/>
featured in Double Bill"/>


January 2, 2026" />
damage before it starts" />
into a professional career" />
online betting rules" />
a film by Andrés Livov" />
for its 16th edition" />
Passion fruit meringue verrine" />
playful clownish escapade" />
World rhythms on stage" />
management mistakes" />
Kensington Avenue" />
Vegan Chili Chocolate Cake" />
Bethune tunnel" />
Left out of breath" />
of business strategy" />
plumbing issues at home" />
embraces bold cinema" />
Red snapper papillote" />
the Legend of Pepita" />
everyday Happiness /2" />
the Tuscan Breakfast" />